My Lockdown Life: Day 483

COLLAGE SOURCE(S) John Tenniel’s “Donnybrook Fair Under the New Lord Lieutenant” (1852) from Punch (vol. 22, p. 134)(coloured)(personal photo of personal copy of Punch) UpTownDancing by Vanessa Jackson RA (1 of 13)- pedestrian crossing art on Regent Street St. James’s, West End, which is part of “Piccadilly Art Takeover” sponsored by the Royal Academy andContinue reading “My Lockdown Life: Day 483”

My Lockdown Life: Day 481

COLLAGE SOURCE(S) John Tenniel’s “Woman’s Emancipation” (1851) from Punch (vol. 21, p. 3)(coloured)(personal photo of personal copy) Gold frame from “Reading the Letter” via Birmingham Museums Trust (1945P55)(CC0) The banners hanging across Piccadilly (by artists Michael Armitage, Farshid Moussavi OBE RA, and Yinka Shonibare CBE RA) are part of the “Piccadilly Art Takeover” sponsored byContinue reading “My Lockdown Life: Day 481”

My Lockdown Life: Day 475

COLLAGE SOURCE(S) John Tenniel’s “Woman’s Emancipation” (1851) from Punch (vol. 21, p. 3)(coloured)(personal photo of personal copy) Gold frame from “Wooded Landscape with Sheep crossing a Bridge” via Birmingham Museums Trust (1984P10) PHOTO LOCATION Prince Street, Deptford, London THOUGHTS The side eye of the figure on the left is GLORIOUS.

My Lockdown Life: Day 469

COLLAGE SOURCE(S) John Tenniel’s “Nothing But the Truth” (1891) from the 12 September 1891 issue of Punch (vol. 101, p. 127)(coloured)(personal photo of London Library copy) Gold frame from “Elijah and the Widow’s Son” from Birmingham Museums Trust (1912P23) PHOTO LOCATION South Bank near the National Theater and the Thames, London, at sunset