Millais_John_Everett – Ann M. Hale

My Lockdown Life: Day 500

John Everett Millais's "Kept in the Dark" (1882)(coloured) on Fleet Street (looking toward the Daily Telegraph building), London

COLLAGE SOURCE(S) John Everett Millais’s “Kept in the Dark” (1882)(engraved by Joseph Swain)(coloured) via Birmingham Museums Trust (1978P626.3) PHOTO LOCATION Fleet Street (looking toward Daily Telegraph building), London THOUGHTS Day 500. I am tired. I am out of inspiration. I feel like I should continue, although I am not sure how. I did not quiteContinue reading “My Lockdown Life: Day 500”

My Lockdown Life: Day 386

John Everett Millais’s “Vanessa” (1868) crossing Midland Road near the British Library in London

COLLAGE SOURCE(S) John Everett Millais’s “Vanessa” (1868) PHOTO LOCATION Midland Road near the British Library

My Lockdown Life: Day 369

John Everett Millais’s “Esther” (1865) next to the Twinkle Park pond in Deptford

COLLAGE SOURCE(S) John Everett Millais’s “Esther” (1865) PHOTO LOCATION Twinkle Park Pond, Deptford

My Lockdown Easing Life: Day 202

Photograph of shopfronts on Evelyn Street, Deptford, that incorporates figures from Edward Hughes’s “Adele, Second Wife of the 7th Earl of Essex” (1893) and Jon Everett Millais’s “Madeleine Undressing” (1863)

COLLAGE SOURCE(S) Edward Hughes’s “Adele, Second Wife of the 7th Earl of Essex” (1893) from Watford Museum John Everett Millais’s “Madeleine Undressing” (1853) PHOTO LOCATION Storefronts on Evelyn Street, Deptford, London