COLLAGE SOURCE(S) Charles Samuel Keene’s “To Be Quite Accurate” illustration from p. 286 of the 11 June 1887 issue of Punch (vol. 92) (personal photo of London Library copy of Punch) Gold frame is from the Birmingham Museums Trust painting The Knight (1986P112) PHOTO LOCATION IALS (Institute of Advanced Legal Studies), London THOUGHTS The PunchContinue reading “My Lockdown Life: Day 445”
Tag Archives: 1887
My Lockdown Life: Day 438
COLLAGE SOURCE(S) “A Fair Jury, All Home-Rulers” illustration from the 30 April 1887 issue of Punch (p. 230)(personal photo of London Library copy) PHOTO LOCATION Building across the street from The Ritz, Piccadilly, Mayfair, London
My Lockdown Life: Day 437
COLLAGE SOURCE(S) Harry Furness’s “How We Advertise Now” (including hand-coloured policeman figure) from the 3 December 1887 issue of Punch (vol. 93, p. 262)(personal photo of London Library copy) PHOTO LOCATION Jubilee Line escalator, Green Park Station, London
My Lockdown Life: Day 408
COLLAGE SOURCE(S) Pascal Dagnan-Bouveret’s “Portrait of a Brittany Girl” (1887) PHOTO LOCATION Model of the British Library, British Library, London
My Lockdown Life: Day 399
COLLAGE SOURCE(S) John Collier’s “Lillith” (1887) PHOTO LOCATION The Black Horse, Evelyn Street, Deptford, London
My Lockdown Life: Day 393
COLLAGE SOURCE(S) Pascal Dagnan-Bouveret’s “A Woman from Bern, Switzerland” (1887) (Portrait of Dagnan-Bouveret’s Wife) PHOTO LOCATION British Library, London
My Lockdown Life: Day 323
COLLAGE SOURCE(S) Annie Swynnerton’s “The Young Mother” (c.1887) PHOTO LOCATION Evelyn Street near Sayes Court Estate, Deptford
My Lockdown Life: Day 321
COLLAGE SOURCE(S) George Clausen’s “Bird Scaring” (1887) PHOTO LOCATION Arklow Road, Deptford
Ann M. Hale 