1852 – Ann M. Hale

My Lockdown Life: Day 488

John Leech's "Interesting" (1852) from "Punch" (vol. 22, p. 22) on Burleigh Street, Covent Garden, London

COLLAGE SOURCE(S) John Leech’s “Interesting” (1852) from Punch (vol. 22, p. 22)(coloured)(personal photo of personal copy of Punch) PHOTO LOCATION Burleigh Street, Covent Garden, London THOUGHTS As I slowly approach my 500th daily image/post, I am trying to think of ways to mix things up. I might try the occasional animation. I chose to animateContinue reading “My Lockdown Life: Day 488”

My Lockdown Life: Day 484

Lion from John Tenniel's "September XIV, MDCCCLII" (1852) from "Punch" (vol. 23, p. 149) in front of a cluster of pedestrians on Wardour Street in Chinatown, Leicester Square, London

COLLAGE SOURCE(S) John Tenniel’s “September XIV, MDCCCLII” (1852) from Punch (vol. 23, p. 149)(coloured)(personal photo of personal copy of Punch Gold frame from “Reading the Letter” (1945P55) via Birmingham Museums Trust (CC0) PHOTO LOCATION Wardour Street, Chinatown, Leicester Square, London

My Lockdown Life: Day 483

Figure (x2) from John Tenniel's "Donnybrook Fair Under the New Lord Lieutenant" (1852) from "Punch" (vol. 22, p. 134) crosses the intersection of Jermyn Street and Regent Street St. James's, West End, London (walking on one of Vanessa Jackson RA's "UpTownDancing" 13 pedestrian crossings for the Royal Academy/Art of London "Piccadilly Art Takeover" )

COLLAGE SOURCE(S) John Tenniel’s “Donnybrook Fair Under the New Lord Lieutenant” (1852) from Punch (vol. 22, p. 134)(coloured)(personal photo of personal copy of Punch) UpTownDancing by Vanessa Jackson RA (1 of 13)- pedestrian crossing art on Regent Street St. James’s, West End, which is part of “Piccadilly Art Takeover” sponsored by the Royal Academy andContinue reading “My Lockdown Life: Day 483”

My Lockdown Life: Day 482

Figure from John Leech's "Introduction of Cheap Omnibuses, and Frightful Upset of Dignity" (1852) from "Punch" (vol. 22, 1852 Almanack) on Jermyn Street, St. James's, London

COLLAGE SOURCE(S) John Leech’s “Introduction of Cheap Omnibuses, and Frightful Upset of Dignity” (1852) from Punch’s Almanack for 1852 (vol. 22)(coloured)(personal photo of personal copy of Punch) Gold frame from “Reading the Letter” (1945P55) via Birmingham Museums Trust (CC0) PHOTO LOCATION Jermyn Street, St. James’s, London

My Lockdown Life: Day 454

John Lavery's "Walter Burton Harris" (1907) and Dante Gabriel Rossetti's "Woman in Evening Dress" (1852) outside of London City Hall, Southwark in gold frame from Birmingham Museums Trust (1945P55)

COLLAGE SOURCE(S) John Lavery’s “Walter Burton Harris” (1907) Dante Gabriel Rossetti’s “Woman in Evening Dress” (1852) from Birmingham Museums Trust (1927P986)(CC0) Gold frame from Birmingham Museums Trust (1945P55)(CC0) PHOTO LOCATION City Hall, Southwark, London

My Lockdown Life: Day 379

William Henry Hunt’s “The Pet of the Village” (1852) in front of the British Library

COLLAGE SOURCE(S) William Henry Hunt’s “The Pet of the Village” (1852) PHOTO LOCATION Watergate Street, Deptford