My Lockdown Life: Day 499

COLLAGE SOURCE(S) John Leech’s “Sincere Grief at the Destruction of the Crystal Palace” (1851) from Punch (vol. 21, p. 177)(coloured)(personal copy of Punch) Banners on Piccadilly are part of “Piccadilly Art Takeover” sponsored by the Royal Academy and Art of London PHOTO LOCATION Intersection of Piccadilly and St. James’s Street, St. James’s, London

My Lockdown Life: Day 497

COLLAGE SOURCE(S) John Leech’s “Protection to Barristers” (1851) from Punch (vol. 21, p. 32)(coloured)(personal copy of Punch) PHOTO LOCATION Prince Street, Deptford, London THOUGHTS As I approach the 500th post in a row, I am starting to think of ways to change this endeavour – link it more to my research. So I am spendingContinue reading “My Lockdown Life: Day 497”

My Lockdown Life: Day 481

COLLAGE SOURCE(S) John Tenniel’s “Woman’s Emancipation” (1851) from Punch (vol. 21, p. 3)(coloured)(personal photo of personal copy) Gold frame from “Reading the Letter” via Birmingham Museums Trust (1945P55)(CC0) The banners hanging across Piccadilly (by artists Michael Armitage, Farshid Moussavi OBE RA, and Yinka Shonibare CBE RA) are part of the “Piccadilly Art Takeover” sponsored byContinue reading “My Lockdown Life: Day 481”