COLLAGE SOURCE(S) John Leech’s “Sincere Grief at the Destruction of the Crystal Palace” (1851) from Punch (vol. 21, p. 177)(coloured)(personal copy of Punch) Banners on Piccadilly are part of “Piccadilly Art Takeover” sponsored by the Royal Academy and Art of London PHOTO LOCATION Intersection of Piccadilly and St. James’s Street, St. James’s, London
Tag Archives: 1851
My Lockdown Life: Day 498
COLLAGE SOURCE(S) John Leech’s “One Delightful Result from Bloomerism – The Ladies Will Pop the Question” (1852) from Punch (vol. 21, p. 192)(coloured)(personal copy of Punch) PHOTO LOCATION Prince Street, Deptford, London
My Lockdown Life: Day 497
COLLAGE SOURCE(S) John Leech’s “Protection to Barristers” (1851) from Punch (vol. 21, p. 32)(coloured)(personal copy of Punch) PHOTO LOCATION Prince Street, Deptford, London THOUGHTS As I approach the 500th post in a row, I am starting to think of ways to change this endeavour – link it more to my research. So I am spendingContinue reading “My Lockdown Life: Day 497”
My Lockdown Life: Day 494
COLLAGE SOURCE(S) John Leech’s “Closing of the Exhibition” (1891) from Punch (vol. 21, p. 161)(coloured)(photo of personal copy of Punch) PHOTO LOCATION The Strand outside of the Courtauld, London
My Lockdown Life: Day 491
COLLAGE SOURCE(S) John Tenniel’s “The Road to the Crystal Palace” (1851) from Punch (vol. 21, p. 155)(personal photo of personal copy of Punch) PHOTO LOCATION Windsor Terrace off of City Road, Hackney, London
My Lockdown Life: Day 481
COLLAGE SOURCE(S) John Tenniel’s “Woman’s Emancipation” (1851) from Punch (vol. 21, p. 3)(coloured)(personal photo of personal copy) Gold frame from “Reading the Letter” via Birmingham Museums Trust (1945P55)(CC0) The banners hanging across Piccadilly (by artists Michael Armitage, Farshid Moussavi OBE RA, and Yinka Shonibare CBE RA) are part of the “Piccadilly Art Takeover” sponsored byContinue reading “My Lockdown Life: Day 481”
My Lockdown Life: Day 480
COLLAGE SOURCE(S) John Leech’s “The Amazon (B-G-M) Attacking Chancery Abuse” (1851) from Punch (vol. 21, p. 7)(coloured)(personal photo of personal copy of Punch) PHOTO LOCATION Prince Street, Deptford, London
My Lockdown Life: Day 479
COLLAGE SOURCE(S) John Tenniel’s “Woman’s Emancipation” (1851) from Punch (vol. 21, p. 3)(coloured)(personal photo of personal copy) Gold frame from “Portrait of David Cox” via Birmingham Museums Trust (1978P185)(CC0) PHOTO LOCATION Watergate Street, Deptford, London
My Lockdown Life: Day 478
COLLAGE SOURCE(S) “Diving Dress Complete” from John Leech’s “The Great Exhibition – The Diving-Dress Department” (1851)(coloured) from Punch (vol. 21, p. 26) PHOTO LOCATION Master Shipwright’s House, Watergate Street, Deptford, London
My Lockdown Life: Day 477
COLLAGE SOURCE(S) “Troublesome Boy” figure from John Leech’s “The Great Exhibition – The Diving-Dress Department” (1851) from Punch (vol. 21, p. 26)(coloured)(personal photo of personal copy of Punch) PHOTO LOCATION Prince Street, Deptford, London