1850s – Page 2 – Ann M. Hale

My Lockdown Life: Day 483

Figure (x2) from John Tenniel's "Donnybrook Fair Under the New Lord Lieutenant" (1852) from "Punch" (vol. 22, p. 134) crosses the intersection of Jermyn Street and Regent Street St. James's, West End, London (walking on one of Vanessa Jackson RA's "UpTownDancing" 13 pedestrian crossings for the Royal Academy/Art of London "Piccadilly Art Takeover" )

COLLAGE SOURCE(S) John Tenniel’s “Donnybrook Fair Under the New Lord Lieutenant” (1852) from Punch (vol. 22, p. 134)(coloured)(personal photo of personal copy of Punch) UpTownDancing by Vanessa Jackson RA (1 of 13)- pedestrian crossing art on Regent Street St. James’s, West End, which is part of “Piccadilly Art Takeover” sponsored by the Royal Academy andContinue reading “My Lockdown Life: Day 483”

My Lockdown Life: Day 482

Figure from John Leech's "Introduction of Cheap Omnibuses, and Frightful Upset of Dignity" (1852) from "Punch" (vol. 22, 1852 Almanack) on Jermyn Street, St. James's, London

COLLAGE SOURCE(S) John Leech’s “Introduction of Cheap Omnibuses, and Frightful Upset of Dignity” (1852) from Punch’s Almanack for 1852 (vol. 22)(coloured)(personal photo of personal copy of Punch) Gold frame from “Reading the Letter” (1945P55) via Birmingham Museums Trust (CC0) PHOTO LOCATION Jermyn Street, St. James’s, London

My Lockdown Life: Day 481

Figure from John Tenniel's "Woman's Emancipation" (1851) from "Punch" (vol. 21, p. 3) at the intersection of Piccadilly and St. James's Street, London

COLLAGE SOURCE(S) John Tenniel’s “Woman’s Emancipation” (1851) from Punch (vol. 21, p. 3)(coloured)(personal photo of personal copy) Gold frame from “Reading the Letter” via Birmingham Museums Trust (1945P55)(CC0) The banners hanging across Piccadilly (by artists Michael Armitage, Farshid Moussavi OBE RA, and Yinka Shonibare CBE RA) are part of the “Piccadilly Art Takeover” sponsored byContinue reading “My Lockdown Life: Day 481”

My Lockdown Life: Day 480

John Leech's "The Amazon (B-G-M) Attacking Chancery Abuse" (1851) from "Punch" (vol. 21, p. 7) on Prince Street in Deptford, London

COLLAGE SOURCE(S) John Leech’s “The Amazon (B-G-M) Attacking Chancery Abuse” (1851) from Punch (vol. 21, p. 7)(coloured)(personal photo of personal copy of Punch) PHOTO LOCATION Prince Street, Deptford, London

My Lockdown Life: Day 479

Figures from John Tenniel's "Woman's Emancipation" (1851) from "Punch" (vol. 21, p. 3) on Watergate Street, Deptford, London

COLLAGE SOURCE(S) John Tenniel’s “Woman’s Emancipation” (1851) from Punch (vol. 21, p. 3)(coloured)(personal photo of personal copy) Gold frame from “Portrait of David Cox” via Birmingham Museums Trust (1978P185)(CC0) PHOTO LOCATION Watergate Street, Deptford, London

My Lockdown Life: Day 478

"Diving Dress Complete" from John Leech's "The Great Exhibition - The Diving-Dress Department" (1851) from "Punch" (vol. 21, p. 26) next to the entrance to the Master Shipwright's House, Watergate Street in Deptford, London

COLLAGE SOURCE(S) “Diving Dress Complete” from John Leech’s “The Great Exhibition – The Diving-Dress Department” (1851)(coloured) from Punch (vol. 21, p. 26) PHOTO LOCATION Master Shipwright’s House, Watergate Street, Deptford, London

My Lockdown Life: Day 477

"Troublesome boy" figure from John Leech's "The Great Exhibition - The Diving-Dress Department" (1851) from "Punch" (vol. 21, p. 26) on Prince Street in Deptford, London

COLLAGE SOURCE(S) “Troublesome Boy” figure from John Leech’s “The Great Exhibition – The Diving-Dress Department” (1851) from Punch (vol. 21, p. 26)(coloured)(personal photo of personal copy of Punch) PHOTO LOCATION Prince Street, Deptford, London

My Lockdown Life: Day 476

Figures from John Leech's "Awful Occurrence at an Evening Party" (1851) from "Punch" (vol. 21, p. 35)(coloured) on Prince Street in Deptford, London

COLLAGE SOURCE(S) John Leech’s “Awful Occurrence at an Evening Party” (1851) from Punch (vol. 21, p. 35)(hand coloured)(personal copy of Punch) Gold frame from “The Knight” via Birmingham Museums Trust (1986P112)(CC0) PHOTO LOCATION Prince Street, Deptford, London

My Lockdown Life: Day 475

Figures from John Tenniel's "Woman's Emancipation" (1851) from "Punch" (vol. 21, p. 3) on Prince Street, Deptford, London

COLLAGE SOURCE(S) John Tenniel’s “Woman’s Emancipation” (1851) from Punch (vol. 21, p. 3)(coloured)(personal photo of personal copy) Gold frame from “Wooded Landscape with Sheep crossing a Bridge” via Birmingham Museums Trust (1984P10) PHOTO LOCATION Prince Street, Deptford, London THOUGHTS The side eye of the figure on the left is GLORIOUS.

My Lockdown Life: Day 474

Figures from John Leech's "Bloomerism - An American Custom" (1851) from "Punch" (vol. 21, p. 141) on Tavistock Street in front of the former headquarters of "Country Life", Covent Garden, London

COLLAGE SOURCE(S) John Leech’s “Bloomerism – An American Custom” (1851)(vol. 21, p. 141)(coloured)(personal photo of personal copy of Punch) Gold frame from “Noon” via Birmingham Museums Trust (1953P360) PHOTO LOCATION Former Country Life headquarters, Tavistock Street, Covent Garden, London