1840s – Ann M. Hale

My Lockdown Life: Day 452

William Etty's "Study for 'The Crochet Worker'" (1849) on a bus stop in front of a sign reading "Another World is Possible" on Southwark Street near Lavington Street, Southwark, London

COLLAGE SOURCE(S) William Etty’s “Study for ‘The Crochet Worker’” (1849) PHOTO LOCATION Photo 1: Lavington Street bus stop, Southwark Street, Southwark, London Photo 2: “Another World is Possible” sign on building on Southwark Street, Southwark, London

My Lockdown Life: Day 448

"Half Sick of Shadows" - William Holman Hunt's "The Lady of Shalott" (c. 1888–1905) in front of an illustration of a paper storage warehouse from the 1892 "Sell's World Press" on construction hoardings on Dragoon Street in Deptford., which also includes My Lockdown Life Day 442, My Lockdown Life Day 421, and My Lockdown Life Day 447

COLLAGE SOURCE(S) William Holman Hunt’s “The Lady of Shalott” (c. 1888–1905) Illustration of 19c paper storage warehouse from Sell’s World Press (1892)(Personal photo of British Library copy) My Lockdown Life Day 421 My Lockdown Life Day 442 My Lockdown Life Day 447 Gold frame from Paul Sandby’s “Noon” (1953P360) from Birmingham Museums Trust (CC0) PHOTOContinue reading “My Lockdown Life: Day 448”

My Lockdown Life: Day 401

James Collinson's "Mother and Child by a Stile" (1849) in front of The Gilbert Scott at the intersection of Euston Road and Midland Road, London

COLLAGE SOURCE(S) James Collinson’s “Mother and Child by a Stile” (1849) PHOTO LOCATION The Gilbert Scott at the intersection of Euston Road and Midland Road, London

My Lockdown Life: Day 400

COLLAGE SOURCE(S) Elizabeth Southerden Thompson, Lady Butler’s “Remnants of an Army” (c.1842), showing the only survivor of the 1842 Massacre of Elphinstone’s army during British retreat from Kabul PHOTO LOCATION Childers Street, Deptford, London THOUGHTS After 400 daily images, I am feeling very much like this poor, struggling horse.

My Lockdown Life: Day 373

George Catlin’s “Wa-ta-we-huch-a-nah” (Le général commandant) on Watergate Street in Deptford

COLLAGE SOURCE(S) George Catlin’s “Wa-ta-we-huch-a-nah” (Le général commandant) (1846) PHOTO LOCATION Watergate Street, Deptford

My Lockdown Life: Day 367

Alexandre Cabanel’s “Fallen Angel” (1847) on Watergate Street in Deptford

COLLAGE SOURCE(S) Alexandre Cabanel’s “Fallen Angel” (1847) PHOTO LOCATION Watergate Street, Deptford

My Lockdown Life: Day 341

William Etty’s “Portrait of Mademoiselle Rachel” (c.1841) and James Abbott McNeill Whistler’s “Drawing of Charles Keene Sketching” (c. 1891) in front of Waldron Health Centre, New Cross

COLLAGE SOURCE(S) William Etty’s “Portrait of Mademoiselle Rachel” (c.1841)James Abbot McNeill Whistler’s “Drawing of Charles Keene Sketching” (c.1891) PHOTO LOCATION Waldron Health Centre, Amersham Vale, New Cross

My Lockdown Life: Day 305

Edwin Landseer’s “Eos, A Favourite Greyhound of Prince Albert” (1841) in Sayes Court Park, Deptford, next to John Evelyn’s mulberry tree

COLLAGE SOURCE(S) Edwin Landseer’s “Eos, A Favourite Greyhound of Prince Albert” (1841) PHOTO LOCATION John Evelyn mulberry tree, Sayes Court Park, Deptford

My Lockdown Life: Day 300

Celebrating my 300th pandemic Twitter post with Queen Victoria and Albert from Edwin Landseer’s “Windsor Castle in Modern Times” (c.1842) in Pepys Park, Deptford

COLLAGE SOURCE(S) Edwin Landseer’s “Windsor Castle in Modern Times, Queen Victoria and Her Family‘” (c.1842) PHOTO LOCATION Pepys Park, Deptford THOUGHTS I cannot believe that I have created 300 daily pandemic images and posted them on Twitter. It feels like yesterday when, relatively early in the pandemic, two colleagues on the same day asked meContinue reading “My Lockdown Life: Day 300”

My Lockdown Life: Day 278

Subject of Jean-Auguste-Dominique Ingres’s “Portrait of Comtesse d’Haussonville” (1845) across the street from Russell Square Park, Bloomsbury, London

COLLAGE SOURCE(S) Jean-Auguste-Dominique Ingres’s “Portrait of Comtesse d’Haussonville” (1845) PHOTO LOCATION Russell Square, Bloomsbury, London